今年の表題は、「進化」です。
環境が変化する中、多様性と適応性が問われることでしょう。
太陽が沈み、夜が訪れ、陽がまた昇る。
昨日と今日で違う世界を感動を持って生きられる人は、何かが違う。
未知の世界と触れ合えるようになるためには、真実を探求する力と忍耐力が必要だ。
馴れ合いや既存の知識に頼るようになると人は、偏見を抱きいつの間にか盲目になっていく。
忍耐力は、失敗などの経験の積み重ねから身につき、探究心や好奇心といった勇気は、正しいと思った事を見つめる善なる魂から生まれる。
The sky as seen from a park near Haneda Airport. The sky is separated into two parts by a blue pole. We like to create national borders and boundaries, but we can't actually touch them. This beautiful blue pole is a part of the civilization that we have built up, and they are essential to our world.
羽田空港のそばの公園から見た空。空は、青いポールによって２つに隔てられている。私たちは、国境や境界線を作りたがるが、実際にそれに触ることはできない。また、この美しい青いポールは、私たちによって積み重ねられた文明の一部であって、この世界にとって必要不可欠なものである。
about Uta
ユータ
Yuta Oliver Aoki
東京生まれ
I am working for Films and TV dramas and taking a script writing class at the Film school of Tokyo.
My works can be seen in following address
Photography http://www.instagram.com/yuta_oliver_aoki
Short story https://www.utapictures.com/single-post/2019/01/28/Anglo-Japanese-Alliance
Newspaper article https://fordhamobserver.com/4576/news/yuta-aoki-reflects-on-aftermath-of-japan-disasters/
The horizon in a scene of a film can evoke many emotions, and can bring people closer together. Even the farthest and most foreign locations can enable us to empathize and understand different cultures and individuals. By seeing the horizon behind the actor, the viewer can realize that we humans live in the same world. Films helped me to feel the beauty of human lives. My creative endeavor was started by my father’s camera which helped me capture the world thorough my travels. Since then, I have met various types of people through the lens of my camera. I obtain a new vision of live and take inspiration every time I take human portraits. These creative travels have certainly contributed to my skill of storytelling. Through my personal experience as a photographer, painter and writer, I have gained a desire to integrate these creative skills in my work. I would like to collaborate with people from all over the world and professionals.
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